Trabalhos
2022
Grupo de Rua's latest creation captures Brazil's volatile political climate, channelling its intense contradictions and social conflicts
Grupo de Rua's latest creation captures Brazil's volatile political climate, channelling its intense contradictions and social conflicts
2017
A play about migration, displacement and identity. By reconsidering both physical and metaphorical borders.
A play about migration, displacement and identity. By reconsidering both physical and metaphorical borders.
2013
Inspired by extracts collected from the internet, the work questions authorship, copying and originality in the modes of production of the digital age.
Inspired by extracts collected from the internet, the work questions authorship, copying and originality in the modes of production of the digital age.
2008
Grupo de Rua transcends typical hip-hop through a delicate and reflective exploration in search of human connection and vulnerability.
Grupo de Rua transcends typical hip-hop through a delicate and reflective exploration in search of human connection and vulnerability.
2005
On stage, 14 dancers from all over Brazil investigate traditional techniques such as top rock and break gender and space conventions.
On stage, 14 dancers from all over Brazil investigate traditional techniques such as top rock and break gender and space conventions.
2003
In this play, Grupo de Rua takes a critical look at how television moulds and influences our perception of reality.
In this play, Grupo de Rua takes a critical look at how television moulds and influences our perception of reality.
2002
Through subtle irony, the piece deconstructs and celebrates the complex semiotics of hip hop, in a postmodern tutorial in the form of a three-dimensional encyclopaedia.
Through subtle irony, the piece deconstructs and celebrates the complex semiotics of hip hop, in a postmodern tutorial in the form of a three-dimensional encyclopaedia.
2001
With dancer Eduardo Hermanson, the audience takes part in an intimate mental journey in a choreography that reflects on God, existence and mushroom tea.
With dancer Eduardo Hermanson, the audience takes part in an intimate mental journey in a choreography that reflects on God, existence and mushroom tea.
2001
The first work in which Grupo de Rua problematises its own hip hop. It uses silence and repetition to question performance conventions.
The first work in which Grupo de Rua problematises its own hip hop. It uses silence and repetition to question performance conventions.
1998
1998
1997
