Works
2022
Grupo de Rua's latest creation captures Brazil's volatile political climate, channeling its intense contradictions and social conflicts
Grupo de Rua's latest creation captures Brazil's volatile political climate, channeling its intense contradictions and social conflicts
2017
A play about migration and identity. By reconsidering physical and metaphorical borders, it challenges ideas of nationality in an ever-changing world.
A play about migration and identity. By reconsidering physical and metaphorical borders, it challenges ideas of nationality in an ever-changing world.
2013
Inspired by extracts taken from the internet, the work questions authorship, copying and originality in the modes of production of the digital age.
Inspired by extracts taken from the internet, the work questions authorship, copying and originality in the modes of production of the digital age.
2008
About transcending typical hip-hop through a delicate and reflective exploration in search of human connection and vulnerability. Bessie Awards-winning show.
About transcending typical hip-hop through a delicate and reflective exploration in search of human connection and vulnerability. Bessie Awards-winning show.
2005
On stage, 14 dancers from all over Brazil investigate traditional techniques such as top rock and break down conventions of gender and space.
On stage, 14 dancers from all over Brazil investigate traditional techniques such as top rock and break down conventions of gender and space.
2003
In this play, Grupo de Rua takes a critical look at how television shapes and influences our perception of reality.
In this play, Grupo de Rua takes a critical look at how television shapes and influences our perception of reality.
2002
The piece deconstructs and celebrates the semiotics of hip hop, in a post-modern tutorial in the form of a three-dimensional encyclopedia.
The piece deconstructs and celebrates the semiotics of hip hop, in a post-modern tutorial in the form of a three-dimensional encyclopedia.
2001
With dancer Eduardo Hermanson, the audience takes part in an intimate mental journey, in a choreography that reflects on God, existence and mushroom tea.
With dancer Eduardo Hermanson, the audience takes part in an intimate mental journey, in a choreography that reflects on God, existence and mushroom tea.
2001
The first work in which Grupo de Rua problematizes hip hop. It uses silence and repetition to question the conventions of performance.
The first work in which Grupo de Rua problematizes hip hop. It uses silence and repetition to question the conventions of performance.
1998
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1998
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1997
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1996
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